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This group of composites brings together images from Viewers as the Object of Display and the spectatormuseum.org into a “framed” installation, which continues the analysis of viewers began earlier. Here, with ourselves as the audience participating in the social space of display, and with a virtual experience similar to “real” museum vistors, we begin to understand the process by which viewers fashion a self identity and search for self confirmation in the act of contemplating art, all happening within the immediacy of a simulated experience. For more information about the project see the 12.27.05 post, Adoration of the Viewers, and read more here.

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Last year I began to photograph homes and cityscapes in the Silverlake area of Los Angeles. Silverlake has gone through a number of transformations since it was first settled during the “first westward march of the suburbs” in the 1920’s. Home to one of the first suburban LA communities, it soon became known as a location where artists and writers and other “creatives” lived. During the 1960’s, 70’s and 80’s, Silverlake became less of an ideal area to live as more of central Los Angeles diversified and the western hamlets came to be seen as more desirable. In the late 1990’s, artists, musicians and other “hipsters” again moved into the area. The cycle of gentrification began. View more images from the LA? project in recent work or click here.