Looking at France in the aftermath of the Algerian war of independence and decolonization, few would argue that the majority of North Africans have been excluded from the enjoyment of universalism once promised to them by Republican France. But, as well, few would explain this exclusion by indicting the principle of universalism itself or by denying that universalism exists first and foremost as a philosophical principle that might someday realize its true potential for consistency. This study aims at offering a different understanding of what universalism is, in part to explain 1) how North Africans have been denied access to it and 2) why this has not been perceived as a serious challenge to French republican principles and 3) how ordinary victims of racism attempt to refute racist stereotypes by enthusiastically participating in public space and culture. This project will look at universalism as a material practice: embodied (racially), organized socially in public spaces (schools, hospitals, courts) and symbolized in art, architecture, urban space, and housing. This project shows how a material approach (digital photography) to universalism in society makes it possible to understand (by literally seeing) the deep connections between universalism and exclusion, and how that these connections could be obscured by a continuing politically deceptive belief in universalism as first and foremost a principle of philosophy. The project will focus on images about the materiality of universalism through and in turn, revealing its operations/practices of exclusion. The result is a rhetorical study that analyzes how philosophical and theoretical definitions of universalism, assimilation, and cultural production collide with images of commodified and programmed living. For more images of particular universalisms click here.

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American style capitalism promises that after years of hard work, people in their 60×?Ts or 70×?Ts can buy a condo in a retirement community and spend the rest of their life relaxing by a pool enjoying activities like shuffleboard, golf, and bingo. Retirement is supposed to liberate us from constant labor, commuting, fatigue and most important, responsibility. Also, retirement offers opportunities to do what ×??I always wanted to do, or ×??becoming my true self×?T, or ×??being the person I was meant to be.×?? We can perform the life of complete leisure or continue to work. In any event, we continue to identify with and buy into commodified images of living, never transcending the marketplace in our retirement resort ×??reinvention.×?? For more photos of the structures of retirement click here.

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This group of composites brings together images from Viewers as the Object of Display and the spectatormuseum.org into a “framed” installation, which continues the analysis of viewers began earlier. Here, with ourselves as the audience participating in the social space of display, and with a virtual experience similar to “real” museum vistors, we begin to understand the process by which viewers fashion a self identity and search for self confirmation in the act of contemplating art, all happening within the immediacy of a simulated experience. For more information about the project see the 12.27.05 post, Adoration of the Viewers, and read more here.

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